Presentation
I worked (and ate) my way through a good portion of college by waiting tables at the campus faculty club. It was a pretty fancy place, considering most of the waiters were students. Of course, there was no tipping--just as well, since academics are notoriously cheap--instead, we got an annual bonus that depended on seniority and how many times you were late and whether or not the head waiter liked you. Which is part of the reason why the "inside waiter" position was arguably the best spot to work during dinner. Since you couldn't hustle for tips, there was no point in hoping for a prime spot on the floor with tables full of boozy, free-spending bonhomie, so why not the kitchen? (Although you did get the odd bone from a table of former-waiter alumuni... I once manage to wrangle all of a $14 out of a party of TEN that kept me there until 11 freakin' o'clock... give me the kitchen any day!).
It was the duty of the Inside Waiter to prepare the outgoing trays of entrees for the other waiters: stack the plates, prepare the carts for the table-side-prepared Signature Dishes, coordinate timing with the chefs, and--most importantly--mop up errant bits of sauce to make the food "pop" against the white china. The payoff for the gruntwork:
(Although how cool would that be? "Your tenderloin sir... and I'll just leave the... extra tenderloin... right here.")
Anyhow, the Inside Waiter got first crack at the cart when it came back (although it was uncool not to share with the waiter who had the table). You'd tear open a fresh roll, tuck in the leftover Chateau scraps and spend some time in the Happy Meat Place. Even if there were no scraps, you could always use the roll to scavenge up the fresh drippings that had collected in the little bowl molded into the carving dish (again, the Maitre d' would drizzle the jus over the sliced meat when he served it, but if he put too much it wouldn't present well... there was always some left!). Yeah, I actually lost weight when I went off to grad school and started having days where all I'd eat would be 4 Big Macs and a plate of donuts. Good times, good times.
My point in all this? Presentation has benefits beyond the mere aesthetics of the plate.
But achieving good aesthetics on the plate isn't as easy as it looks. There's a reason the chi-chi restaurants go for small food on a big plate: it highlights the food, like a good mat on a framed print. I've been coming to grips with this in my attempts to find a good presentation for a seared Ahi dish that I've been working on. It's tuna steaks on a bed of sliced avocado, with grilled bell peppers and/or pineapple and/or tomato on the sides. Lots of color, with green from the avocado, yellow/red/orange from the veggies, plus the zillion shades of Fiestaware we eat off of, not to mention the strong lines of the grill marks on the tuna playing against the curve of the avocado slices. The problem? Size. Take a look:

Okay, so the Ahi's a little overseared, but the color is a wonderful, energetic tangle. A tangle that's too crowded on the plate! It's not a large dish, so I used a lunch-sized plate, not wanting the food to look lonely. Instead, it looks cramped, and the color is leaning toward busy rather than lively. Next time I try this, it'll be with a dinner-sized plate. I'll tell you how it goes.
It was the duty of the Inside Waiter to prepare the outgoing trays of entrees for the other waiters: stack the plates, prepare the carts for the table-side-prepared Signature Dishes, coordinate timing with the chefs, and--most importantly--mop up errant bits of sauce to make the food "pop" against the white china. The payoff for the gruntwork:
- You didn't have to wear the ridiculous Love-Boat-Style waiter jacket and accompanying burgundy clip-on bowtie
- First crack at the leftovers!
(Although how cool would that be? "Your tenderloin sir... and I'll just leave the... extra tenderloin... right here.")
Anyhow, the Inside Waiter got first crack at the cart when it came back (although it was uncool not to share with the waiter who had the table). You'd tear open a fresh roll, tuck in the leftover Chateau scraps and spend some time in the Happy Meat Place. Even if there were no scraps, you could always use the roll to scavenge up the fresh drippings that had collected in the little bowl molded into the carving dish (again, the Maitre d' would drizzle the jus over the sliced meat when he served it, but if he put too much it wouldn't present well... there was always some left!). Yeah, I actually lost weight when I went off to grad school and started having days where all I'd eat would be 4 Big Macs and a plate of donuts. Good times, good times.
My point in all this? Presentation has benefits beyond the mere aesthetics of the plate.
But achieving good aesthetics on the plate isn't as easy as it looks. There's a reason the chi-chi restaurants go for small food on a big plate: it highlights the food, like a good mat on a framed print. I've been coming to grips with this in my attempts to find a good presentation for a seared Ahi dish that I've been working on. It's tuna steaks on a bed of sliced avocado, with grilled bell peppers and/or pineapple and/or tomato on the sides. Lots of color, with green from the avocado, yellow/red/orange from the veggies, plus the zillion shades of Fiestaware we eat off of, not to mention the strong lines of the grill marks on the tuna playing against the curve of the avocado slices. The problem? Size. Take a look:

Okay, so the Ahi's a little overseared, but the color is a wonderful, energetic tangle. A tangle that's too crowded on the plate! It's not a large dish, so I used a lunch-sized plate, not wanting the food to look lonely. Instead, it looks cramped, and the color is leaning toward busy rather than lively. Next time I try this, it'll be with a dinner-sized plate. I'll tell you how it goes.


